She graduated in Musicology from the University of Rome \u201cLa Sapienza\u201d. She subsequently obtained a PhD in Literary and Musical Textual Studies from the University of Pavia (Cremona campus), with a dissertation on the reception of Rossini\u2019s Semiramide. She also holds a ten-year diploma in piano and later obtained a second-cycle academic diploma in R\u00e9p\u00e9titeur and Collaborative Pianist from the Refice Conservatoire in Frosinone.<\/p>\n\n\n\n
As a speaker, she has participated in international conferences and study days; recent events include the 28th Annual Conference of the Italian Musicological Society (Rome, Accademia Nazionale di Santa Cecilia, 2021); Socio-political topicality in the repertoire of Nineteenth-Century provincial theatres (Bern, Hochschule der K\u00fcnste, 2023); Nozzari, Rubini: tenori contro (Bergamo, Centro Studi Donizetti, 2023); the 27th Musicology Colloquium of Il Saggiatore musicale (Bologna, Alma Mater Studiorum, 2023); and Riccardo Zandonai: una vita a Pesaro (Pesaro, Rossini Conservatoire, 2024).<\/p>\n\n\n\n
She is the author of several musicological essays, including: Due \u201cgittane\u201d a Parigi. Le sorelle Marchisio e i loro rapporti con l\u2019ambiente parigino, in Music, Individuals and Contexts: Dialectical Interactions, edited by Nadia Amendola, Alessandro Cosentino and Giacomo Sciommeri (Societ\u00e0 Editrice di Musicologia\u2013UniversItalia, 2019); Opere del passato per una nuova capitale: l\u2019inaugurazione del teatro Costanzi, in Symposium Musicae. Saggi e testimonianze in onore di Giancarlo Rostirolla per il suo 80\u00b0 genetliaco, edited by Federica Nardacci and Benedetto Cipriani (Recercare\u2013Fondazione Palestrina, 2021); Saul, \u00abossia la Semiramide vestita di sacri concetti\u00bb: un \u201ccontrafactum\u201d rossiniano per l\u2019oratorio della Vallicella (1834) (Il Saggiatore musicale, XXX\/1, 2023); Il Liceo musicale di Pesaro e le celebrazioni rossiniane del 1892, in Places of cohesion and debate. Socio-political roles of provincial theatres during the Nineteenth Century, edited by Giulia Brunello and Annette Kappeler (Ergon, 2025).
She has edited, together with Gianluca Bocchino, Jommelliana: un operista sulla scena capitolina. Studi sul periodo romano di Niccol\u00f2 Jommelli (LIM, 2017), and, with Benedetto Cipriani, Tra riforma e tradizione: la musica sacra a Roma a cavallo tra Ottocento e Novecento (Recercare, 2023). In 2019 she published a monograph on the Friulian soprano Emma Zilli, first performer of Alice in Verdi\u2019s Falstaff: Emma Zilli. Una carriera di fine Ottocento (NeoClassica).<\/p>\n\n\n\n
She also edited, for the Fondazione Rossini in Pesaro, the critical edition of Rossini\u2019s cantata La morte di Didone, published in 2024 in Cantate per voce sola, coro e orchestra (\u201cCritical Edition of the Works of Gioachino Rossini\u201d, II\/2) and first performed at the 46th Rossini Opera Festival.<\/p>\n\n\n\n
She has taught at the Conservatoires of Cremona, Brescia-Darfo, Benevento and Frosinone. She is currently Professor of Music History at the Rossini Conservatoire in Pesaro.<\/p>\n","protected":false},"excerpt":{"rendered":"
She graduated in Musicology from the University of Rome \u201cLa Sapienza\u201d. She subsequently obtained a PhD in Literary and Musical Textual Studies from the University of Pavia (Cremona campus), with a dissertation on the reception of Rossini\u2019s Semiramide. She also holds a ten-year diploma in piano and later obtained a second-cycle academic diploma in R\u00e9p\u00e9titeur […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":593244,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"template-parts\/docenti-child.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-942394","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\n