Alessandro Tampieri, violinist and violist, began his musical studies in his hometown of Ravenna, having joined Accademia Bizantina at a very young age. He has performed as a soloist, chamber musician, and orchestral player in both symphonic and opera settings (including the Filarmonica and Teatro alla Scala).
A strong identification with seventeenth- and eighteenth-century musical language, together with a marked aptitude for improvisation, later led him to devote himself predominantly to this repertoire. He has collaborated with Il Giardino Armonico, Academia Montis Regalis, L’Arpeggiata, Artaserse (Philippe Jaroussky), Imaginarium (Enrico Onofri) and Suonar Parlante (Vittorio Ghielmi). He regularly performs in the most prestigious early music seasons and festivals in Europe and the United States.
He has made recordings for Teldec, Decca, Na\u00efve, Harmonia Mundi, Hyperion, Virgin, and for major European and North American radio broadcasters. He is Concertmaster and, together with Ottavio Dantone, he is Artistic Director of Accademia Bizantina (ranked the second best orchestra of 2021 by the prestigious magazine Gramophone), with which he has recorded several violin concertos and a widely acclaimed complete recording of Vivaldi\u2019s concertos for viola d\u2019amore.
The album Invocazioni mariane, in which he appears as conductor and soloist with Accademia Bizantina alongside countertenor Andreas Scholl, received the 2025 International Classical Music Award (ICMA). Formerly Professor of Viola at the Rossini Conservatoire in Pesaro, he has been Professor of Baroque Violin since 2026. He plays instruments made by luthier Marco Minnozzi.<\/p>\n","protected":false},"excerpt":{"rendered":"
Alessandro Tampieri, violinist and violist, began his musical studies in his hometown of Ravenna, having joined Accademia Bizantina at a very young age. He has performed as a soloist, chamber musician, and orchestral player in both symphonic and opera settings (including the Filarmonica and Teatro alla Scala).A strong identification with seventeenth- and eighteenth-century musical language, […]<\/p>\n","protected":false},"author":2,"featured_media":593058,"parent":593244,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"template-parts\/docenti-child.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-592779","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\n