Carlo Pari

Piano – CODI/21

Dipartimento: Keyboard instruments and percussion

Giorni di lezione: Tuesday afternoon – Friday

Carlo Pari

Carlo Pari is an Italian pianist and a Steinway Artist. He studied piano at the State Conservatory of Gioacchino Rossini in Pesaro and graduated from there with maximum votes and distinction. Additionally, he holds a degree in composition and studied orchestra conducting.

Carlo Pari’s international career led him to play in an impressive number of cities in Europe, Asia, America and Australia, and in major concert halls such as Carnegie Hall, Merkin Hall and Alice Tully Hall in New York, the Great Hall, the Tchaikovsky Hall and Rachmaninoff Hall in Moscow, the Beijing Concert the Tianjin Concert Hall and the Handan Concert Hall in China, the Wigmore Hall and Steinway Hall in London, the Nybrokajen Concert Hall in Stockholm, Santa Cecilia in Rome.

He appeared as a soloist with many important orchestras, including the Symphonic Orchestra G.Verdi of Milan, Rossini Symphony Orchestra, Moscow Symphony Orchestra, S.Petersburg Symphony Orchestra, Mav Symphony Orchestra, Orchestra Filarmonica Marchigiana, etc.

The Republic of Tatarstan Orchestra, Sforzando, accompanied his solo concert at the Kremlin. Amongst his notable artistic collaborations there are Luciano Pavarotti, Mirella Freni, Giuseppe Taddei, Michele Placido, Rolando Panerai, Katia Ricciarelli, Bruno Praticò, Tullio de Piscopo, and many others.

Carlo Pari gives an important value to teaching and regularly accepts masterclasses in such prestigious institutions as: the Moscow Tchaikovsky Conservatory, the Gnessin Russian Academy of Music, the Schnittke State Institute of Music, the Gitis Academy, the Kazan State Conservatory of Music, the Beijing Conservatory, the Tianjin Conservatory , the University of Changsa, the Yuè Yang Shi University of Music, the Sichuan Conservatory of Music, the Rizhao Conservatory, the Estonian Academy of Music, the Royal Scottish Academy of Music and Drama and the Kultuuri-ja-Humanitaarhariduse Institut, the University of Guam, the Manhattan School of Music, the Cliveland Institute of Music and Loyola University, the Cleveland Institute of Music.

He is frequently invited as a committee member at international piano competitions around the world and he was honorary guest at the vocal piano duo international competition at the Moscow Tchaikovsky Conservatory.He is an artistic director of numerous music festivals in Italy and abroad and heads the international relations office at the Antonio Buzzolla Conservatory in Adria.

Carlo Pari currentely teaches piano at the Gioacchino Rossini Conservatory of Music in Pesaro.

RUSSIAN

Карло Пари – итальянский пианист и артист Steinway. Он изучал фортепиано в Государственной консерватории Джоаккино Россини в Пезаро и окончил ее с максимальной оценкой и отличием. Кроме того, он имеет ученую степень по композиции и изучал дирижирование оркестра. Международная карьера Карло Пари позволила ему сыграть во многих городах Европы, Азии, Америки и Австралии в таких всемирно известных концертных залах, как Карнеги-Холл, Меркин-Холл и Алиса Тулли-Холл в Нью-Йорке, Большой зал, зал Чайковского и Рахманиновский зал в Москве, Пекинский концертный зал Тяньцзинь и Концертный зал Ханьдань в Китае, Зал Вигмор и Стейнвей Холл в Лондоне, Концертный зал Ниброкайен в Стокгольме, Санта Сесилия в Риме. Он выступал в качестве солиста со многими важными оркестрами, в том числе с Симфоническим оркестром Милана Г. Верди, Симфоническим оркестром Россини, Московским симфоническим оркестром, Симфоническим оркестром С.Петербурга, Симфоническим оркестром Мав, Оркестром Филармонии Марчиджана и т.д. Оркестр Республики Татарстан, Сфорцандо, сопровождал его сольный концерт в Кремле. Среди его выдающихся сотрудничеств можно выделить Лучано Паваротти, Мирелла Френи, Джузеппе Таддеи, Мишель Пласидо, Роландо Панерай, Катя Риччарелли, Бруно Пратико, Туллио де Пископо и многие другие. Карло Пари придает большое значение преподаванию и регулярно проводит мастер-классы в таких престижных учреждениях, как: Московская консерватория им. П.И. Чайковского, Российская академия музыки им. Гнесиных, Государственный музыкальный институт им. Шнитке, Академия Гитиса, Казанская государственная консерватория, Пекин Консерватория, Тяньцзиньская консерватория, Университет Чангса, Музыкальный университет Юэ Ян Ши, Музыкальная консерватория Сычуань, Консерватория Рижао, Эстонская академия музыки, Королевская шотландская академия музыки и драмы, Kultuuri-ja-Humanitaarhariduse Институт, Университет Гуама, Манхэттенская школа музыки, Институт музыки Кливленда и Университет Лойолы. Его часто приглашают в качестве члена комиссии на международные конкурсы пианистов по всему миру, и он был почетным гостем на международном конкурсе вокальных дуэтов в Московской консерватории им. П.И. Чайковского. Карло Пари является художественным руководителем многочисленных музыкальных фестивалей в Италии и за рубежом, и возглавляет отдел международных отношений в Консерватории Антонио Буццолла в Адрии. Он также является постоянным преподавателем по классу фортепиано в Музыкальной консерватории Джоаккино Россини в Пезаро.

CHINESE

意大利钢琴家。师从于男高音卡雷拉斯的御用钢琴家、著名指挥家Lorenzo Bavaj。现为意大利佩萨罗G.Rossini音乐学院钢琴教授。Carlo的演奏技巧纯熟,音色光辉透明,节奏感较强。同时他对爵士乐,即行演奏也有较深的造诣,所诠释的各种风格的音乐作品都完美地表达出其中的精髓。 作为钢琴家,作曲家和音乐活动的组织者,Carlo在欧洲各个知名的音乐大厅和音乐节中举办音乐会并参与各所权威音乐院校举办的音乐活动。如俄罗斯的圣彼得堡,莫斯科的拉赫玛尼诺夫音乐厅;爱尔兰的都柏林;埃托尼亚的塔林;波兰的克拉科夫、Stettino、Miezdrowye;德国的慕尼黑、柏林、德勒斯顿;奥地利的维也纳、萨尔茨堡;瑞典的斯德哥尔摩;意大利的罗马、米兰、佩扎罗, 巴勒莫、博洛尼亚、费拉拉;法国的巴黎, 尼斯和蒙波里埃;英格兰与爱尔兰的伦敦、格拉斯哥、爱丁堡。亚洲的:中国北京、天津、长沙、成都;印度尼西亚的巴厘岛;日本;菲律宾的关岛。美洲的美国克利夫兰、纽约、新奥尔良以及大洋洲澳大利亚的悉尼、墨尔本、凯恩斯。 作为具有一定造诣的音乐家,Carlo曾受帕瓦罗蒂和弗莱尼的邀请,担任他们的艺术总监和钢琴艺术指导;并与卡提亚·理西亚莱丽, 朱塞佩·泰迪,威尔玛·威尔诺奇,米歇尔·普兰琪朵,马里奥·麦拉尼,富达里克·蒙太奇,奥斯卡拉斐·劳拉,布鲁诺·卡尼诺,谭盾等世界上著名的音乐家合作发展音乐事业。 Carlo在世界上诸多重要的音乐学院、大学和艺术院校举办国际大师班和开设专业课程,如北京,天津,成都,济南,斯德哥尔摩,纽约,格拉斯哥,克利夫兰,悉尼,墨尔本,伦敦,关岛等。并与诸多重要的音乐机构和音乐院校合作,如苏格兰皇家音乐戏剧学院,曼哈顿音乐学院,天津音乐学院,四川音乐学院,山东艺术学院,克利夫兰音乐机构,爱沙尼亚音乐学院,关岛大学歌剧学院, Kultuuri-ja-Humanitaarhariduse音乐机构,莫斯科音乐学院等。 作为日本最重要的音乐学校之一的La Mediterranea举办的致力于普及意大利文化艺术的交流活动,为Carlo颁发了Ad Honorem音乐类别的荣誉证书。其后他还应邀在驻埃托尼亚的意大利大使馆为促进欧盟一体化而演奏。同样是在大使馆,Carlo还曾经作为瑞典总理Goran Persson和梵蒂冈红衣主教Sodano的特邀嘉宾进行演奏。 到目前为止,Carlo举办了将近900场备受好评的音乐会,创作并出版了超过50部音乐作品。无论是在北京音乐厅、澳洲、巴厘岛还是在新奥尔良和纽约,观众们都站起来为他的表演而热烈欢呼。在欧洲、亚洲和美洲,Carlo定期被邀请进行演出和教学活动并被各所音乐院校聘为客座教授。Carlo被澳大利亚的音乐评论界誉为:“最应引起注意的年轻钢琴家之一”、“钢琴演奏的一条新路”。

GERMAN

Carlo Pari ist ein italienischer Pianist und Steinway-Künstler. Er studierte Klavier, Komposition und Orchesterleitung am Staatlichen Konservatorium „Gioacchino Rossini“ in Pesaro und schloss sein Klavierstudium mit „summa cum laude“, ab. Seine internationale Konzertkarriere führte ihn in viele Städte Europas, Asiens, Amerikas und Australiens. Er spielte in der Carnegie Hall, Merkin Hall and Alice Tully Hall in New York, im Großen Saal, Tschaikovsky-Saal und Rachmaninoff-Saal von Moskau, im Tianjin Konzertsaal und Handan Konzertsaal von Peking, im Wigmore Hall und Steinway Hall von London, im Nybrokajen Concert Hall von Stockholm und im Konzertsaal Santa Cecilia von Rom. Als Solist hat er mit vielen wichtigen Orchestern gearbeitet, beispielweise mit dem Symphonieorchester G. Verdi von Mailand, dem Rossini Symphonieorchester von Pesaro, den Symphonieorchestern von Moskau und Sankt Petersburg, dem Mav Symphonieorchester von Budapest, dem Orchestra Filarmonica Marchigiana von Ancona, etc. Bei seinem Auftritt im Kreml begleitete ihn das Symphonieorchester “Sforzando” der Republik Tatarstan.

Auszugweise sind folgende Solisten aufgeführt, mit denen er unter Anderem zusammengearbeitet hat: Luciano Pavarotti, Mirella Freni, Giuseppe Taddei, Michele Placido, Rolando Panerai, Katia Ricciarelli, Bruno Praticò und Tullio de Piscopo.

Einen grossen Focus legt Car Pari auf seine Unterrichtstätigkeit und gibt Masterklassen an folgendene Institutionen: Tschaikovsky-Konservatorium in Moskau, Gnessin Russische Musikakademie, Staatliches Musik-Institut “Schnittke”, die Gitis-Akademie, Kazan Staatliches Musik-Konservatorium, Peking Konservatorium, Tianjin Konservatorium, Universität von Changsa, Yuè Yang Shi Musikuniversität, the Sichuan Conservatory of Music, die Rizhao Konservatorium, Musik-Akademie von Estland, the Royal Scottish Academy of Music and Drama, Kultuuri-ja-Humanitaarhariduse Institut, Universität von Guam, Manhattan School of Music, the Cleveland Institute of Music und Loyola Universität, the Cleveland Institute of Music.

Sehr haufig ist er Jury Mitglied bei Internationalen Piano Wettbewerben, weltweit eingelade. Auch als Ehrengast war er bei der Vocal Piano Duo international competition am the Moscow Tchaikovsky Conservatory anwesend.

Herr Pari ist künstlerischer Leiter zahlreicher Musikfestivals in Italien und leitet das Büro für Internationale Beziehung von Antonio Buzzolla Conservatory in Adria.

Derzeit unterrichtet er am Gioacchino Rossini Conservatory of Music in Pesaro.

JAPANESE

カルロ パーリ

イタリア リミニ出身。ピアニスト。早くから音楽の才能を示し、13歳よりピアノを始める。ペーサロ ジョアキーノ ロッシーニ音楽院にて作曲とオーケストラ指揮を学ぶ。同音楽院を満点プラス最優秀の評価を得て、首席で卒業。

演奏会をニューヨークのカーネギホール、メルキンホール、アリス・トゥリーホール、グレートホール、モスクワのチャイコフスキーホール、ラフマニノフホール、中国の北京ホール、天津ホール、邯鄲ホール、ロンドンのウィグモアホール、スタインウェィホール、ストックホルムのニーブロカエンホール、ローマのサンタチェチリア音楽院ホールなど世界の主要ホール、そしてヨーロッパ、アジア、アメリカそしてオーストラリアの数多くの都市で行うなど、国際的に活躍。

 また、後進の教育にも力を入れており、モスクワ チャイコフスキー音楽院、グネーシン音楽大学、シュニトケ記念モスクワ音楽院、ロシア舞台芸術アカデミー、カザン国立音楽院、北京中央音楽学院、天津音楽学院、長沙大学、岳陽音楽大学、四川音楽院、日照音楽院、エストニア音楽アカデミー、エストニア音楽アカデミー、英国王立スコットランド音楽院、グアム大学、マンハッタン音楽学校、クリーブランド音楽研究所、ロヨラ大学など世界のレベルの高い音楽教育機関でマスタークラスを開催している。

様々な国での国際ピアノコンクールの常時審査員として招かれ、またモスクワワのチャイコフスキーコンクール 室内楽声楽とピアノの部門では名誉ある審査員として招待される。

 主要レコード会社において録音も行っており、ルチアーノ・パヴァロッティ、ミレッラ・フレーニ、ジュゼッペ・タッデイ、ローランド・パネライ、カーティア・リチャレッリ、ブルーノ・プラティコ、トゥッリオ・デ・ピスコポなど著名な音楽家たちと共演。またイタリア内外の音楽祭にては芸術監督を務めている。

 定期的にミラノ ヴェルディオーケストラ、北京交響楽団、天津交響楽団、モスクワフィルハーモニー管弦楽団、サンクトペテルブルグ フィルハーモニー交響楽団、ハンガリー放送交響楽団、タタールスターン共和国オーケストラと共演しており、モスクワ クレムリンにおいてはソリスト伴奏者として出演する。

ヴェネツィア ベネデット マルチェッロ音楽院、アードリア アントニオ ブッツォッラ音楽院 ピアノ科教員、またアードリアではあわせて国際交流関係の責任者を務め、現在ペーサロ ジョアキーノロッシーニ音楽院 ピアノ科正教員として指導に当たる。

ESTONIAN

Carlo Pari pühendas end intensiivsele kontserttegevusele, mis on teda soolopianisti ja heliloojana viinud Euroopa kõige mainekamatesse kontsertsaalidesse Venemaal (Moskva ja St. Peterburg), Iirimaal (Dublin),  Eestis (Tallinn), Itaalias ( Stettino, Rooma, Milaano,Pesaro, Palermo, Bologna, Ferrara), Poolas (Miezdrowye ja Krakov), Saksamaal (Münhen, Berliin ja Dresden), Austrias ( Viin, Salzburg), Rootsis (Stockholm), Prantsusmaal ( Pariis, Nizza, Montecarlo), Inglismaal ja Šotimaal (London, Glasgow, Edinburgh).  Aktiivne kontserttegevus on aset leidnud ka Hiinas (Pekingi, Tianjin, Yue Yang Shi, Changsa, Chengdu), Indoneesias (Bali), Jaapanis ja Filipiinidel (Guami), Ameerika Ühendriikides (Cleveland, New York, New Orleans), ja Austraalias (Sydney, Melbourne, Cairns).

Eklektilise muusikuna on maestro pühendunud erinevatele muusikasuundadele ning teinud koostööd maailmakuulsate kunstnikega, nenede hulgas on : Luciano Pavarotti, Mirella Freni, Katia Ricciarelli, Giuseppe Taddei, Rolando Panerai, Tullio de Piscopo, Bruno Praticò, jt.

Carlo Pari korraldab meistriklasse maailmatähtsusega konservatooriumites, loetellu kuuluvad: Šoti Kuninglik Draama- ja Muusikaakadeemia, Changsa Muusikaülikool, Yuè Yang Shi Muusikaülikool, Clevelandi Muusikainstituut, Eesti Muusika- ja Teatriakadeemia, Eesti Kultuuri ja Humanitaarhariduse Instituut, Guam Ülikool, Figueroa Ooperiakadeemia, Moskva Riiklik Tšaikovski nimeline Konservatoorium jt. Meistriklassid Carlo Pari käe all on aset leidnud Pekingis, Tianjinis, Stockholmis, New York Citys, Glasgows, Clevelandis, Sydneys, Melbournis, Londonis, Guamis.

Septembris 2001 otsustas üks olulisemaid Jaapani koole „La Mediterranea“, (tunnustatud Itaalia Kultuuri- ja Teadusministeeriumi poolt), sügavamalt tutvustada ja levitada Itaalia kultuuri ning omistas Carlo Parile „Ad Honorem“ diplomi. Diplomiga sai maestro ülesandeks  läbi loomingulise tegevuse esindada ja tutvustada itaalia kultuuri.

Carlo Pari on andnud kontserte Eesti Itaalia saatkonnas, teda on palutud aukülalisena mängima Rootsi peaministri Goran Presson juuresviibimisel, samuti on maestro üles astunud Vatikanis, kardinal Sodano visiidil.

Maestro Pari on andnud üle 600 kontserdi ning komponeerinud üle viiekümne muusikapala. Tema kontsertidele on järgnenud kestvad ovotsioonid nii Pekingis, New Orleanisis  kui ka New Yorgis. Teda on jätkuvalt palunud esinema ning õpetama nii Euroopa, Aasia kui ka Ameerika Ühendriikide oluliste konservatooriumite professorid. Suurt edu on saavutanud maestro üleasastumised Austraalias Melbournes, Sydneys, Cairnsis. Samuti Guamis ja Bali saartel, kus kõik 19 kontserti  müüdi välja ning kontserttegevus sai publiku poolt väga sooja vastuvõtu osaliseks. Austraalia kriitikud on maestrot kirjeldanud kui üht kõige huvitavamat noort pianisti, kes viljeleb uut ja omapärast klaverimängu viisi.

FRENCH

Il naît à Rimini le 13-6-1972 ; très tôt, il  montre des prédispositions pour la musique, mais il commence ses études de piano seulement à l’âge de 13 ans, auprès du Conservatoire « G :Rossini » de Pesaro. En 1985 il est admis dans la classe du maître  Franco Scala ; très jeune il commence à suivre les séminaires de piano auprès de la célèbre académie « Incontri con il maestro di Imola ». En 1995, il a obtenu le diplôme en piano, avec le maître L. Bavaj avec le maximum des points et mention.

Il a suivi les classes de perfectionnement de piano des maîtres Lazar Berman, Sergio Fiorentino, Lorenzo Bavaj, Alexander Lonquich, Aquiles Delle Vigne; pour la composition, le stage de perfectionnement de musique pour le cinéma, auprès de l’Académie de Fiesole, du maître Ennio Morricone. Il poursuit son activité de soliste avec celle de transcripteur et arrangeur ; il collabore avec de célèbres musiciens tout en publiant plusieurs CD.

Très apprécié comme soliste et accompagnateur, il joue dans les villes italiennes les plus importantes: Milan, Rome, Bologne, Pesaro, Palerme et étrangères en Europe: Paris, Londres, Glasgow, Tallinn, Stoccolma, Berlin, Mosca, en Asie Pékin, Tianjin, Chendu, Jinan, Changsa, Rizhao et aux Etats-Unis, New York, New Orleans, Philadelphia, Baltimora, Washington DC, Atlanta, Boston pour des institutions et associations de musique et festivals, dans de prestigieuses salles de concert Carnegie Hall, Merkin Hall, Rachmaninoff Hall, Theatre Rossini, Nibrokajan Concert Hall. Il a eu toujours du succès auprès du public et des critiques. Il a travaillé dans des télévisions privées; il s’est signalé pour la technique brillante et pour les nuances du toucher dans différents festivals de musique. Récemment, il a collaboré à la réalisation d’une opéra inédite avec la mise en scène de Michele Placido. Il a enseigné et fait des masterclass de piano dans le monde entier pour des universités, conservatoires, académies et institutions privées comme par exemple Conservatorie Ciaikowsky, Royal Scottish Academy of Music and Drama, Manhattan School of Music, Conservatorie de Tianjin, Conservatorie de Pékin, Conservatorie de Chengdu, Conservatorie de Changsa. Il a travaillé avec les plus importants musiciens du monde : Luciano Pavarotti, Mirella Freni, Katia Ricciarelli, Bruno Praticò, Tullio de Piscopo. Il enseigne piano principal à le Conservatorie supérieur Gioacchino Rossini de Pesaro.

Au mois de septembre 2001 «La Mediterranea » l’une des écoles japonaises les plus importantes pour la diffusion de l’art et la culture italienne, reconnue par le Ministère de l’Education National, lui confère un Diplôme ad honorem en disciplines musicales ; il représente la culture italienne en jouant à l’Ambassade d’Italie en Estonie pour la promotion de l’Union européenne. Il joue, auprès de l’Ambassade, à l’occasion du prix Per Anger, en présence du Premier ministre suédois et du Cardinal Sodano pour le Vatican. Après le succès obtenu – 2700 personne à la sale  de concert de Pèkin avec « standing ovation » à New Orleans et à New York, il est invité régulièrement à jouer et à enseigner en Europe, Asie et Amérique. Il a eu des succès importants en Australie et dans les îles de Guam et Bali avec 19 concerts, les théâtres affichant  tout complet et « standing ovation » partout. La critique le définit « l’un des pianistes les plus intéressants », « une nouvelle, fantastique manière de jouer le piano».

Tutti i docenti*
Tutti i docenti*
Agata Bienkowska
Singing – CODI/23
Monday – Thursday
Agide Brunelli
Clarinet – CODI/09
Monday – Thursday
Alberto Casadei
Cello – CODI/07
Friday – Saturday
Alberto Nones
History of music – CODM/04
Thursday – Friday
Alessandra Giovannini
Flute – CODI/13
Wednesday – Thursday
Alessandro Perini
Composition -CODC/01
Tuesday – Wednesday
Alessandro Tampieri
Viola – CODI/05
Monday – Wednesday
Alessia Obino
Jazz singing – COMJ/12
Wednesday – Thursday
Andrea Castagna
Music ensemble for strings – COMI/05
Monday – Tuesday
Andrea Castagna
Music ensemble for strings – COMI/05
Monday – Tuesday
Andrea Giovanni Agostinelli
Cello – CODI/07
Wednesday – Saturday
Andrea Maccagnan
Trombone – CODI/17
Monday – Tuesday morning
Andrea Maria Mazza
Theory and technique of scenic interpratation – CORS/01
Friday afternoon – Saturday
Andrea Oddone
Music theory, rhythmics and notion – COTP/06
Friday – Saturday
Andrea Turini
Piano – CODI/21
Wednesday – Thursday
Angelo Biancamano
Music theory, rhythmics and notion – COTP/06
Monday – Thursday
Anna Rita Gaetani
Poetry for music and musical dramaturgy – CODM/07
Monday – Thursday
Antonio Calosci
Violin – CODI/06
Monday – Tuesday
Antonio Rosario Roccia
Music theory, rhythmics and notion – COTP/06
Friday – Saturday
Arnaldo Giacomucci
Piano accompaniment – CODI/25
Thursday – Friday
Aurelio Venanzi
Violin – CODI/06
Friday – Saturday
Barbara Panzarella
Chamber music – COMI/03
Friday – Saturday
Bruno Praticò
Singing – CODI/23
Tuesday afternoon – Friday
Carmine Emanuele Cella
Music IT – COME/05
Friday – Saturday
Cecilia Angelotti
Piano accompaniment – CODI/25
Friday – Saturday
Cecilia Luzzi
History of music – CODM/04
Friday afternoon – Saturday
Cecilia Nicolò
History of music – CODM/04
Friday – Saturday
Cesare Della Sciucca
Score reading – COTP/02
Friday – Saturday
Cinzia Milani
Guitar – CODI/02
Wednesday – Thursday
Claudio Campadello
Double bass – CODI/04
Tuesday – Wednesday
Claudio Casadei
Cello – CODI/07
Monday – Thursday
Concetta Assenza
Music bibliography and biblioteconomy – CODM/01
Tuesday – Wednesday
Cristiana Francolini
Piano score reading and practice – COTP/03
Tuesday – Friday
Daniele Bianchi
Horn - CODI/10
Wednesday – Saturday
Daniele Brancaleoni
Violin – CODI/06
Wednesday afternoon – Saturday
Daniele Dori
Music theory, rhythmics and notion – COTP/06
Wednesday – Thursday
Daniele Gasparini
Harmony theory and analysis – COTP/01
Monday – Tuesday
Daniele Mencarelli
Electric bass guitar – COMJ/01
Monday – Tuesday
Daniele Rossi
Music theory, rhythmics and notion – COTP/06
to be defined
Daniele Rossi
Music theory, rhythmics and notion – COTP/06
Thursday – Friday
Danilo Dolciotti
Clarinet – CODI/09
Monday – Thursday
David Monacchi
Elettroacustic – COME/04
Wednesday – Thursday
Davide Felici
Clarinet – CODI/09
Tuesday – Friday
Domenico Cerasani
Lute – COMA/02
Donatella Dorsi
Piano accompaniment – CODI/25
Monday – Tuesday
Donatella Marconi
Piano score reading and practice – COTP/03
Tuesday – Friday
Eddy Serafini
Music theory, rhythmics and notion – COTP/06
Tuesday – Wednesday
Elisabetta Lombardi
Vocal chamber music – CODI/24
Tuesday – Thursday
Elisabetta Matacena
Violin – CODI/06
Monday – Friday
Eros Sabbatani
Tuba – CODI/08
Monday – Tuesday
Fabio Grandi
Jazz drums – COMJ/11
Thursday – Friday
Fabrizio Fava
Oboe – CODI/14
Monday – Thursday
Federico Agostinelli
Composition -CODC/01
Thursday – Friday
Federico Mondelci
Saxophone – CODI/15
Wednesday – Thursday
Federico Stassi
Chamber music – COMI/03
Tuesday – Wednesday
Franca Moschini
Piano score reading and practice – COTP/03
Tuesday – Friday morning
Francesca Matacena
Piano score reading and practice – COTP/03
Tuesday – Wednesday
Francesca Menchelli Buttini
History of music – CODM/04
Tuesday – Wednesday
Francesco Finocchiaro
History of music – CODM/04
Thursday – Friday
Francesco Fontana
Cello – CODI/07
Wednesday – Thursday
Fulvio Fiorio
Flute – CODI/13
Friday – Saturday
Gabriele Geminiani
Chamber music – COMI/03
Monday – Tuesday morning
Gabriele Gravagna
Organ practice and gregorian chant – CODI/20
Tuesday – Wednesday
Gabriella Morigi
Singing – CODI/23
Monday – Thursday
Gian Marco Gualandi
Jazz composition – CODC/04
Monday – Saturday
Gianluca Luisi
Piano – CODI/21
Wednesday – Friday
Gian Luca Pasolini
Singing – CODI/23
Thursday – Friday
Gianni Maestrucci
Percussions – CODI/22
Monday – Tuesday
Giovanni La Marca
Viola da gamba – COMA/03
Wednesday – Thursday
Giuditta Longo
Violin – CODI/06
Thursday – Saturday
Giuseppe Ciabocchi
Bassoon – CODI/12
Monday – Thursday
Giuseppina Papaccio
Music theory, rhythmics and notion – COTP/06
Friday
Jamiang Maitrideva Santi
Chamber music – COMI/03
Thursday – Friday
Katia Bovo
Harp - CODI/01
Monday – Tuesday – Wednesday
Ladislao Vieni
Chamber music – COMI/03
Monday – Tuesday
Lamberto Lugli
Composition -CODC/01
Tuesday – Thursday
Laura Calamosca
Violin – CODI/06
Wednesday – Friday
Leonardo Cicala
Music informatics – COME/05
Friday – Saturday
Leonardo Ramadori
Percussions – CODI/22
Wednesday – Thursday
Liuba Bucci Sabattini
Piano – CODI/21
Thursday – Saturday
Lorenzo Di Bella
Piano – CODI/21
Monday – Tuesday
Luca Aretini
Violin – CODI/06
Tuesday – Thursday
Luca Cellini
Music theory, rhythmics and notion – COTP/06
Tuesday – Friday
Luca Ferrara
Orchestra practice – COMI/02
Wednesday – Thursday afternoon
Luca Rasca
Piano – CODI/21
Monday – Tuesday
Luca Scandali
Organo – CODI/19
Tuesday – Wednesday
Ludovico Bramanti
Piano – CODI/21
Wednesday – Thursday
Luigi Livi
Instrumentation and composition for wind orchestra – CODC/06
Monday – Friday
Manlio Benzi
Orchestra conducting – COID/02
Monday – Friday
Marcella Parziale
Music theory, rhythmics and notion – COTP/06
Tuesday – Wednesday
Marco Facchini
Music ensemble for strings – COMI/05
Friday – Saturday
Marco Fratini
Saxophone – CODI/15
Monday – Thursday
Marco Salvaggio
Music theory, rhythmics and notion – COTP/06
Monday – Tuesday
Marco Silvi
Music theory, rhythmics and notion – COTP/06
Monday – Tuesday
Marco Sollini
Piano – CODI/21
Tuesday – Wednesday
Maria Cristina Capon
Piano score reading and practice – COTP/03
Tuesday – Wednesday
Mariagrazia Molinari
Music theory, rhythmics and notion – COTP/06
Tuesday – Wednesday
Mariateresa Storino
History of music – CODM/04
Monday – Tuesday
Mariella Guazzaroni
Piano – CODI/21
Monday – Thursday
Marina Bartoli
Renaissance and baroque Singing – COMA/16
Monday – Tuesday
Mario Totaro
Score reading – COTP/02
Wednesday – Thursday morning
Massimiliano Rocchetta
Jazz piano – COMJ/09
Tuesday – Wednesday
Massimo Berardi
Music theory, rhythmics and notion – COTP/06
Monday – Thursday
Matteo Andri
Chamber music – COMI/03
Thursday – Friday
Matteo Maria Salvo
Music theory, rhythmics and notion – COTP/06
Tuesday – Wednesday
Matteo Rocchi
Viola – CODI/05
Friday – Saturday
Maurizio Blanco
Harmony theory and analysis – COTP/01
Friday – Saturday
Maurizio Paciariello
Piano – CODI/21
Thursday – Friday
Mauro Bellagamba
Score reading – COTP/02
Friday – Saturday
Mauro Campobasso
Jazz guitar – COMJ/02
Monday – Wednesday
Michele Ginestre
Trombone – CODI/17
Friday – Saturday
Michele Mangani
Music ensemble for wind instruments – COMI/04
Thursday – Friday
Michele Sampaolesi
Piano – CODI/21
Monday – Wednesday
Miranda Aureli
Harpsicord and historical keyboards – COMA/15
Tuesday – Friday
Nicola Casetta
Elettroacoustic composition – COME/02
Monday – Tuesday
Nunzio Randazzo
Harmony theory and analysis – COTP/01
Monday – Thursday
Orazio Cartoceti
Clarinet – CODI/09
Tuesday – Thursday
Paola Mancini
Piano score reading and practice – COTP/03
Wednesday – Friday
Paolo Biondi
Piano score reading and practice – COTP/03
Monday – Thursday
Paolo Boggio
Composition -CODC/01
Friday – Saturday
Paolo Gobbi
Piano accompaniment – CODI/25
Monday – Wednesday
Paolo Mandelli
Oboe – CODI/14
Friday – Saturday
Paolo Vignani
Accordion – CODI/18
Tuesday – Wednesday morning
Pasquale Filosa
Guitar – CODI/02
Friday – Saturday
Pier Luigi Colonna
Composition for teaching – CODD/02
Tuesday afternoon – Wednesday
Pier Luigi Piazzi
Choir conducting and repertoire for teaching – CODD/01
Monday – Tuesday
Pierino Rossi
Harmony theory and analysis – COTP/01
Tuesday – Saturday
Piero Marconi
Vocal and piano score reading for teaching – CODD/05
Tuesday – Wednesday
Pietro Diambrini
Music pedagogy for teaching – CODD/04
Thursday – Friday
Pietro Prosser
Lute – COMA/02
Tuesday – Wednesday
Riccardo Bartoli
Piano score reading and practice – COTP/03
Monday – Thursday
Riccardo Graciotti
History of music – CODM/04
Wednesday – Friday
Riccardo Lorenzetti
Choral practice – COMI/01
Tuesday – Wednesday morning
Roberta De Piccoli
History of music for teaching – CODD/06
to be defined
Roberto Marchionni
Clarinet – CODI/09
Tuesday – Friday
Roberto Noferini
Violin – CODI/06
Tuesday – Thursday
Roberto Pasquini
Flute – CODI/13
Monday – Tuesday
Roberto Renili
Harmony theory and analysis – COTP/01
Wednesday – Friday
Roberto Tascini
Guitar – CODI/02
Monday – Tuesday
Roberto Vetrano
Composition -CODC/01
Monday – Saturday
Rossana Gaggiotti
Singing – CODI/23
Friday – Saturday
Sandro Marrocu
History of music – CODM/04
Friday – Saturday
Serenella Secchiero
Organo – CODI/19
Thursday – Friday
Sergio Bosi
Clarinet – CODI/09
Monday – Thursday
Silvestro Favero
Viola – CODI/05
Thursday – Friday
Silvia Del Zoppo
History of music – CODM/04
Wednesday – Thursday
Silvia Feliciani
English language – CODL/02
Wednesday – Friday
Silvia Vannucci
Music theory, rhythmics and notion – COTP/06
Wednesday – Thursday
Stefania Donzelli
Singing – CODI/23
Wednesday – Friday
Stefano Maria Torchio
Music theory, rhythmics and notion – COTP/06
Monday – Tuesday
Stefano Scarpa
Music theory, rhythmics and notion – COTP/06
Friday – Saturday
Stefano Venturi
Saxophone – CODI/15
Tuesday – Friday
Susanna Piolanti
Harpsicord and historical keyboards – COMA/15
Monday – Thursday
Vincenzo Piaggesi
Music ensemble for wind instruments – COMI/04
Monday – Wednesday
Vincenzo Presta
Jazz saxophone – COMJ/06
Friday – Saturday
Vincenzo Tribulini
Trumpet – CODI/16
Wednesday – Friday

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